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In signal processing, sampling is the reduction of a continuous-time signal to a discrete-time signal. A common example is the conversion of a sound wave to a sequence of "samples". A sample is a value of the signal at a point in time and/or space; this definition differs from the term's usage in statistics, which refers to a set of such values ...
Audio on Compact Disc has a sampling rate of 44.1 kHz; to transfer it to a digital medium that uses 48 kHz, method 1 above can be used with L = 160, M = 147 (since 48000/44100 = 160/147). [5] For the reverse conversion, the values of L and M are swapped. Per above, in both cases, the low-pass filter should be set to 22.05 kHz.
When is normalized with reference to the sampling rate as ′ =, the normalized Nyquist angular frequency is π radians/sample. The following table shows examples of normalized frequency for f = 1 {\displaystyle f=1} kHz , f s = 44100 {\displaystyle f_{s}=44100} samples/second (often denoted by 44.1 kHz ), and 4 normalization conventions:
ISDN sampling rate 10 4: 10 kHz 14 kHz: Acoustic – the typical upper limit of adult human hearing 17.4 kHz: Acoustic – a frequency known as the Mosquito, which is generally only audible to those under the age of 24. 25.1 kHz Acoustic – G 10, the highest pitch sung by Georgia Brown, who has a vocal range of 8 octaves. 44.1 kHz: Common ...
[a] But in signal processing, decimation by a factor of 10 actually means keeping only every tenth sample. This factor multiplies the sampling interval or, equivalently, divides the sampling rate. For example, if compact disc audio at 44,100 samples/second is decimated by a factor of 5/4, the
It was recorded in 50 kHz, 16-bit linear PCM using a 3M digital tape recorder. [22] The compact disc (CD) brought PCM to consumer audio applications with its introduction in 1982. The CD uses a 44,100 Hz sampling frequency and 16-bit resolution and stores up to 80 minutes of stereo audio per disc.
For example，in active sonars the received signal is contained in a very narrow band of frequencies, typically about 2 kHz, centered at some high frequency, typically about 50 kHz. To avoid having to sample the received process at the Nyquist rate of 100 kHz, it is more efficient to demodulate the process to baseband and then employ sampling ...
For music-quality audio, 44.1 and 48 kHz sampling rates are the most common. Master recording may be done at a higher sampling rate (i.e. 88.2, 96, 176.4 or 192 kHz). High-resolution PCM recordings have been released on DVD-Audio (also known as DVD-A), DualDisc (utilizing the DVD-Audio layer), or High Fidelity Pure Audio on Blu-ray.