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The Piano Sonata No. 14 in C-sharp minor, marked Quasi una fantasia, Op. 27, No. 2, is a piano sonata by Ludwig van Beethoven, completed in 1801 and dedicated in 1802 to his pupil Countess Julie "Giulietta" Guicciardi. [b] Although known throughout the world as the Moonlight Sonata (German: Mondscheinsonate), it was not Beethoven who named it ...
The first movement follows the sonata allegro format of the classical period, and borrows thematically from Beethoven's Piano Quartet No. 3 in C major, [5] WoO 36, from a decade earlier. The movement opens with the main theme in the tonic key, beginning with a double-thirds trill-like pattern.
The sonatas differ in structure in the third movement and only the first sonata has a fourth movement. In the first sonata, thematic material is referenced from one movement to the other which is also uncommon in a typical sonata of the time but more like the fantasia style. They were written in 1801. For the individual sonatas see: Piano ...
Melodic fragment (introduced in measures 7-8), Chopin's Fantaisie-Impromptu Cadenza (measure 188), Beethoven's Piano Sonata No. 14, third movement. Ernst Oster observes that the Fantaisie-Impromptu draws many of its harmonic and tonal elements from Beethoven's Moonlight Sonata, which is also in C ♯ minor, and from the third movement in particular.
Ludwig van Beethoven wrote 32 mature piano sonatas between 1795 and 1822. (He also wrote 3 juvenile sonatas at the age of 13 [1] and one unfinished sonata, WoO. 51.)Although originally not intended to be a meaningful whole, as a set they comprise one of the most important collections of works in the history of music. [2]
Well-known examples of Alberti bass include the beginning of Mozart's Piano Sonata, K 545, and the third movement of Beethoven's Moonlight Sonata. [a] A famous example from 20th-century American popular music is the bass guitar part of the 1962 surf rock standard "Pipeline", by The Chantays.