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Liquid light shows (or psychedelic light shows) [not verified in body] are a form of light art that surfaced in the early 1960s as accompaniment to electronic music and avant-garde theatre performances. They were later adapted for performances of rock or psychedelic music.
featured psychedelic props and techniques along with a public service documentary. On January 22, 1968, the show broadcast a special episode called the "Psychedelic Light Show"; the set had been redesigned to feature lighting that changed with the music.
The Psychedelic era was the time of social, musical and artistic change influenced by psychedelic drugs, occurring from the mid-1960s [1] to the mid-1970s. [2] The era was defined by the proliferation of LSD and its following influence in the development of psychedelic music and psychedelic film in the Western world .
The Joshua Light Show, created by Joshua White, was a liquid light show.It was known for its psychedelic art and served as a lighting backdrop behind many live band performances during the late 1960s and early 1970s.
Concert posters, album covers, liquid light shows, liquid light art, murals, comic books, underground newspapers and more reflected not only the kaleidoscopically swirling colour patterns typical of psychedelic hallucinations, but also revolutionary political, social and spiritual sentiments inspired by insights derived from these psychedelic ...
By 1953 he had created a “light machine” that combined keyboard, glass, speakers, and homemade projectors and colored lights that responded to changes in pitch, register, and volume, which was an early precursor of the psychedelic light shows of the '60s [26] —and years before the light shows of Haight-Ashbury. [32]
Liquid Light Art is an artform which derived from the liquid light (live) shows from the 60's and 70's in combination with advanced photography. A Liquid Light Artefact is a printed still of a liquid light show. Liquid Light Art is a subgenre of psychedelic art.
He was the first producer of psychedelic light-show concerts at the Fillmore and the Avalon Ballroom and was instrumental in helping to develop bands that had the distinctive San Francisco Sound. [1] Helms died June 25, 2005, of complications of a stroke. He was 62. [2]