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Peg o' My Heart is a 1933 American Pre-Code film adaptation of the play of the same name by J. Hartley Manners. [ 1 ] [ 2 ] It starred Marion Davies as a poor Irish girl, Margaret 'Peg' O'Connell, who stands to inherit a fortune if she satisfies certain conditions.
Channel Crossing is a 1933 British crime film directed by Milton Rosmer and starring Matheson Lang, Constance Cummings, Anthony Bushell and Nigel Bruce. [1] [2] It was shot partly on location and at the Lime Grove Studios in Shepherd's Bush. [3] The film's sets were designed by the art director Alfred Junge.
Mr. Skitch is a 1933 American comedy film directed by James Cruze and written by Sonya Levien and Ralph Spence. The film stars Will Rogers, Rochelle Hudson, ZaSu Pitts, Florence Desmond, Harry Green and Charles Starrett. The film was released on December 22, 1933, by Fox Film Corporation. [1] [2] [3]
Laurel and Hardy play two police officers on night patrol. They get a call about a break-in and encounter a thief trying to crack a safe. Despite mistaking the thief for the shop owner, they unintentionally help him.
Our Betters is a 1933 American pre-Code satirical comedy film directed by George Cukor and starring Constance Bennett, Anita Louise and Gilbert Roland.The screenplay by Jane Murfin and Harry Wagstaff Gribble is based on the 1917 play of the same title by Somerset Maugham.
By Candlelight is a 1933 American pre-Code comedy film directed by James Whale. The film is based on the Austrian play Candle Light by Siegfried Geyer and Karl Farkas, which was adapted to the English-speaking stage by P. G. Wodehouse. [1] The film stars Elissa Landi, Paul Lukas, Nils Asther, and Dorothy Revier.
The Big Brain is a 1933 American pre-Code drama film directed by George Archainbaud and written by Sy Bartlett and Warren Duff. The film stars George E. Stone, Phillips Holmes, Fay Wray, Minna Gombell and Lilian Bond. The film was released on August 5, 1933, by RKO Pictures. [1] [2] [3]
High Finance is a 1933 British drama film directed by George King and starring Gibb McLaughlin and Ida Lupino, which was marketed as "the drama of a man overwhelmed by his own success". It is now classed as a lost film . [ 1 ]