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Brocade fabrics are mostly for upholstery and draperies. They are also used for evening and formal clothing, for vestments , as well as for costumes. In India, Banarasi brocade is extensively used in decorating Banarasi saris , dresses, and dupattas .
Brocatelle is a silk-rich fabric with heavy brocade designs. The material is characterized by satin effects standing out in relief in the warp against a flat ground. It is produced with jacquard weave by using silk, rayon, cotton, or many synthetic yarns. [1] [2]
The caffoy made in Norwich was patterned, with piled wool to look like silk furnishing fabrics like damask and velvet. The fabric was in use until the 18th century. [2] [10] Caffoy was used for a variety of purposes, including upholstery, drapery, and wall decorations.
Kimkhwab (Kim-Khwab, kamkhāb, ḳamkhwāb, Kimkhwab, Hiranya, puspapata) is an ancient Indian brocade art of weaving ornate cloth with gold, silver, and silk yarns. Kinkhwab is a silk damasked cloth with an art of zar-baft (making cloth of gold), [1] The weave produces beautiful floral designs that appear embroidered on the surface of the fabric. it was also known as puspapata or cloth with ...
Sichuan embroidery (traditional Chinese: 川繡; simplified Chinese: 川绣; pinyin: Chuān Xiù; Wade–Giles: Chʻuan-Hsiu) or Shu embroidery (蜀繡; 蜀绣; Shǔ Xiù; Shu-Hsiu), is a style of embroidery folk art native to Sichuan and Chongqing, particularly renowned for its brocade fabrics known as Shu brocade (蜀錦; 蜀锦; Shǔ Jǐn; Shu-Chin).
The áo gấm (Vietnamese: [ʔǎːw ɣə̌m], Hán-Nôm: 襖錦) is a modified áo dài made with thicker fabric, and is a traditional brocade tunic for men. [1] It is more elaborate than the formal "áo the", a similar men's tunic.
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