Search results
Results From The WOW.Com Content Network
He was cast after Salim-Javed recommended him for Sholay in 1973; Bachchan's performance in their first collaboration, Zanjeer, convinced Salim-Javed he was the right actor for the part. [34] Salim-Javed were also impressed with Bachchan's performance in Raaste Kaa Patthar (1972), and at Bachchan's request, Dharmendra had personally put in a ...
Viju Khote (17 December 1941 – 30 September 2019) was an Indian actor who was known for his work in more than 440 films in Hindi and Marathi cinema.He was famous as the dacoit Kaalia in the film Sholay and the dialogue, "Sardar maine aapka namak khaya hai" [2] [3] and Robert in movie Andaz Apna Apna with the dialogue "galti se mistake hogaya".
This page was last edited on 26 October 2024, at 14:59 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Sholay went on to become a blockbuster, and is the highest-grossing movie in India. Although the film boasted an ensemble cast of superstars including Dharmendra and Amitabh Bachchan, he stole the thunder with his unorthodox and eerie dialogue delivery that was perfectly opposite to the total lack of empathy his character was supposed to convey.
The Sholay Girl is a 2019 Hindi-language biographical period drama film directed by Aditya Sarpotdar and produced by Shrabani Deodhar, Sai Deodhar and Shakti Anand. [1] Written by Faizal Akhtar and Shrabani Deodhar, the film is based on India's first stuntwoman, Reshma Pathan .
Asrani has played the lead roles, character roles, comedic roles and supporting roles. He is best known for his role in Sholay as a jailer and characters he played in 25 films with Rajesh Khanna in lead role between 1972 and 1991.
With a release date of Oct. 22, 2021, 'Dune' is one of the most anticipated movies of the year. Its all-star cast includes Timothée Chalamet, Rebecca Ferguson, Zendaya, Oscar Isaac, Josh Brolin ...
Leela Mishra was discovered by a man called Mama Shinde, who was working for Dadasaheb Phalke's Nasik Cinetone. He persuaded her husband to make her work in films. During those days there was a severe scarcity of women actors in films; this was evident in the paychecks that the Mishras received when they went to Nasik for the shooting.