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Georgia O'Keeffe, Drawing XIII, 1915, charcoal on paper, 24 3/8 x 18 1/2 in. (61.9 x 47 cm), Metropolitan Museum of Art. Drawing XIII is an example of how O'Keeffe began to develop her own sense of design and composition. A rising flame or flowing river are suggested by the curved line on the right side of the drawing.
Georgia O'Keeffe – Hands (1919) by Alfred Stieglitz. Georgia O'Keeffe – Hands, also known as Georgia O'Keeffe (Hands), is a black and white photograph taken by Alfred Stieglitz in 1919. It is part of a large group of more than 300 photographs that he took of the painter Georgia O'Keeffe, from 1917 prior to their 1924 marriage, through 1937.
The drawing is related to the painting W37 : The Raising of the Cross: 1628-1629: Black chalk, heightened with white, framing lines in pencil and with the pen and brown ink: 19.3 x 14.8 cm: Museum Boijmans Van Beuningen, Rotterdam: The drawing is related to the painting W106 : Two Sitting Figures: c. 1628-1629: Black chalk: 19.3 x 14.8 cm
Hand with a Pot, the Knob of a Chair and a Hunk of Bread: March–April 1885 Van Gogh Museum, Amsterdam Nuenen F 1157 JH 739 Hand with Bowl and a Cat: March–April 1885 Van Gogh Museum, Amsterdam Nuenen F 1229r JH 740 Three Hands, Two Holding Forks: March–April 1885 Van Gogh Museum, Amsterdam Nuenen F 1161r JH 746
Leaf painting is the process of painting with dyed leaves. Deriving from Japan , China or India , it became popular in Vietnam . Its two main forms are: Cutting and pasting dry leaf to make leaf paintings or using paint to draw onto the surface of dry leaf to make leaf paintings.
Autumn Leaves (1856) is a painting by John Everett Millais exhibited at the Royal Academy in 1856. It was described by the critic John Ruskin as "the first instance of a perfectly painted twilight." [1] Millais's wife Effie wrote that he had intended to create a picture that was "full of beauty and without a subject". [2]
Metropolitan Museum of Art, New York City, New York Seascape: 1879: 72.6 cm × 91.6 cm (28.6 in × 36.1 in) Art Institute of Chicago: Paysage bords de Seine (On the Shore of the Seine) 1879: 14 cm × 23 cm (5.5 in × 9 in) Baltimore Museum of Art, Baltimore, Maryland Oarsmen at Chatou (French: Les canotiers à Chatou) 1879
Cueva de las Manos (Spanish for Cave of the Hands or Cave of Hands) is a cave and complex of rock art sites in the province of Santa Cruz, Argentina, 163 km (101 mi) south of the town of Perito Moreno. It is named for the hundreds of paintings of hands stenciled, in multiple collages, on the rock walls.