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Bride kidnapping is distinguished from raptio in that the former refers to the abduction of one woman by one man (and his friends and relatives), and is still a widespread practice, whereas the latter refers to the large scale abduction of women by groups of men, possibly in a time of war.
The history of bride kidnapping in Kyrgyzstan is under dispute. The Russian Empire and later USSR made the ancient practice of the nomads illegal, and so with the fall of the Soviet Union and the subsequent independence of the Central Asian nations, many have revived old customs as a way of asserting cultural identity. [8]
Bride kidnapping that may occur after parents forbid marriage out of fear for their daughter's social reputation; Bride kidnapping as an alternative path to marriage for couples unable to pay for a typical wedding. In Buraku of Kochi, there was the custom of bride kidnapping named katagu (かたぐ). [87] [88]
“Ala Kachuu - Take and Run,” a film about bride kidnapping in Kyrgyzstan, is nominated for best live-action short at this year’s Academy Awards. Oscar-nominated short captures stories of men ...
Bride kidnapping (Kazakh: Kyz alyp qashu) is a cultural practice in Kazakhstan, involving the kidnapping of a woman, in order to force the woman to marry the kidnapper. Such kidnapping is divided into two types: kidnapping without the consent of the woman (kelisimsiz alyp qashu) and voluntary kidnapping (kelissimmen alyp qashu).
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Another tradition is bride kidnapping. A few friends of the newlywed stake the bride while the groom is not paying attention and take her somewhere else, usually to a club. The groom is then forced to negotiate the bride's price and to redeem it, but not until the "criminals" show evidence of having the bride (a shoe, her necklace, etc.).
Set in the north of her homeland, Vietnam, Ha Le Diem’s IDFA competition entry “Children of the Mist” follows 12-year-old Di from the Hmong ethnic minority, living in the mountains and ...