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Martha Johanne Christensen (1926–1995) [1] was a Danish writer and educator. Around 1950, she contributed poems and short stories to the journal Vild Hvede but it was not until 1962 that she published her first novel Vær god ved Remond (Be Good to Remond) about the difficulties faced by a boy sent to an institution after his mother remarried.
As he wrote The Eolian Harp to commemorate coming to his home at Clevedon, Coleridge composed Reflections on Having Left a Place of Retirement on leaving it. [3] The poem was not included in Coleridge's 1796 collection of poems as it was probably still incomplete, but it was published in the October 1796 Monthly Magazine [4] under the title ...
Everyone needs someone : poems of love and friendship. Old Tappan, N.J., Fleming H. Revell, 1978. In the vineyard of the Lord / Helen Steiner Rice, as told to Fred Bauer. Old Tappan, N.J., Fleming H. Revell, 1979. And the greatest of these is love : poems and promises / Helen Steiner Rice ; compiled by Donald T. Kauffman.
20th-century literary critics often categorise eight of Coleridge's poems (The Eolian Harp, Reflections on having left a Place of Retirement, This Lime-Tree Bower my Prison, Frost at Midnight, Fears in Solitude, The Nightingale: A Conversation Poem, Dejection: An Ode, To William Wordsworth) as a group, usually as his "conversation poems".
Reflections on having left a Place of Retirement: Sermoni propriora - Hor. "Low was our pretty Cot: our tallest Rose" 1795 1796, October Religious Musings. A Desultory poem, written on the Christmas Eve of 1794 "This is the time, when most divine to hear," 1794-6 1796 [Note 9] Monody on the Death of Chatterton.
Kelly Cherry (December 21, 1940 – March 18, 2022) was an American novelist, poet, essayist, professor, and literary critic [1] and a former Poet Laureate of Virginia (2010–2012). [2]
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Critics also claim that other Marvell poems also portray adult women as a threat to solitude, praising non-erotic love and the “innocence that precedes sexual knowledge." [ 29 ] [ 12 ] Critical discourse surrounding Marvell’s sexuality provides potential context as to why “The Garden” appears so uncomfortable with women and with adult ...