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Scholar Beverly Louise Brown states that the painting depicts Eros, the god of love and desire, as an armor-clad angel, as he draws back with his arms, aiming for a final thrust to kill the figure in the bottom right whom Brown also stated to be Cupid. The figure underneath Eros is a religious figure described as a provocatively naked beautiful ...
The painting depicts Ancient Greek poet Sappho's alleged suicide by jumping from a cliff in Lefkada, thus accepting the legendary claim that she took her own life as a result of an unrequited love she had for the young Phaon, who is actually a mythological character.
Venus Consoling Love is an oil-on-canvas painting executed in 1751 by the French artist François Boucher. [1] [2] The painting depicts a mythological scene, where Venus, the goddess of Love, depicted as a charming and supple young woman, is impersonating the French Rococo's beauty ideals.
The Trinity depicts the three angels who visited Abraham at the Oak of Mamre (Genesis 18:1–8), but the painting is full of symbolism and is interpreted as an icon of the Holy Trinity. At the time of Rublev, the Holy Trinity was the embodiment of spiritual unity, peace, harmony, mutual love and humility. [6]
The Lady of Shalott, an 1888 oil-on-canvas painting, is one of John William Waterhouse's most famous works. It depicts a scene from Tennyson's poem in which the poet describes the plight and the predicament of a young woman, loosely based on the figure of Elaine of Astolat from medieval Arthurian legend, who yearned with an unrequited love for the knight Sir Lancelot, isolated under an ...
The Kiss (German: Der Kuss) is an oil-on-canvas painting with added gold leaf, silver and platinum by the Austrian Symbolist painter Gustav Klimt. [3] It was painted at some point in 1907 and 1908, during the height of what scholars call his "Golden Period". [4]
The Song of Love (also known as Le chant d'amour or Love Song) is a 1914 painting by Italian metaphysical painter Giorgio de Chirico.It is one of the most famous works by Chirico and an early example of his pre-surrealist style, though it was painted ten years before the movement was "founded" by André Breton in 1924.
Scattered around are the emblems of all human endeavors – violin and lute, armor, coronet, square and compasses, pen and manuscript, bay leaves, and flower, tangled and trampled under Cupid's foot. The painting illustrates the line from Virgil's Eclogues, Omnia Vincit Amor et nos cedamus amori ("Love conquers all; let us all yield to love ...