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It takes place at the Minor Basilica of Our Lady of Sorrows in Porto Alegre, Brazil. [1] Our Lady of Sorrows Church. The event is a meeting of vocal ensembles singing compositions made around the 16th century (1400–1600), including various types of sacred and secular polyphony.
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3 16th century. 4 17th century. 5 18th century. ... This is a timeline of Brazilian history, ... with lyrics by Olavo Bilac and music by Francisco Braga, ...
From the 16th to the early 19th century, Brazil was created and expanded as a colony, kingdom and an integral part of the Portuguese Empire. Brazil was briefly named "Land of the Holy Cross" by Portuguese explorers and crusaders before being named "Land of Brazil" by the Brazilian-Portuguese settlers and merchants dealing with brazilwood .
Brazil is a large, diverse country with a long history of popular-musical development, ranging from the early-20th-century innovation of samba to the modern Música popular brasileira. Bossa nova is internationally well-known, and Forró (pronounced [foˈʁɔ] ) is also widely known and popular in Brazil.
Brazil has also a tradition of the classical music, since the 18th Century. The oldest composer with a fully documented work is José Maurício Nunes Garcia , a Catholic priest who wrote numerous pieces, both sacred and secular, with a style resembling the classical Viennese style from Mozart and Haydn.
In the Brazilian tradition, the rabeca chuleira is simply called rabeca and is not a short-scale instrument unlike its Portuguese cousin. The Portuguese viola braguesa finds a counterpart in its Brazilian cousin, the viola caipira. In forró music, the rabeca is typically accompanied by accordion, zabumba drum, and triangle.
The 16th century began with the Julian year 1501 (represented by the Roman numerals MDI) and ended with either the Julian or the Gregorian year 1600 (MDC), depending on the reckoning used (the Gregorian calendar introduced a lapse of 10 days in October 1582).