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Lamps from the 1890s consisted of a stand, font, chimney, and often a shade. [24] The font (also spelled "fount") held the kerosine for the lamp. [25] The chimney was a glass tube placed around the lamp's flame that had a bulge at the base that kept drafts away from the flame and added extra illumination. [26]
A late antique oil lamp showing a human figure identified as Christ. Early Christian and late antique oil lamps were diverse. One of the most notable ones were Mediterranean sigillata (“African”) lamps. The motifs were largely geometric, vegetative and graphic (monograms), with figural depiction of animals and human figures, often Christ. [13]
Mass-produced reproduction opium lamp made for the souvenir trade [citation needed] circa 1950, UBC collection. An opium lamp is an oil lamp designed specifically to facilitate the vaporization and inhalation of opium. Opium lamps differ from conventional lamps for lighting in that they are designed to channel an exact amount of heat upward ...
We then got an update that the lamp is now worth between $250,000 and $300,000 dollars! The gorgeous glass lamp was made at a studio that was operated by the son of the founder of Tiffany and Company.
From the beginning of the Moundsville operations until about 1915, Fostoria focused on oil lamps and products for restaurants and bars—especially stemware and tumblers. [21] In 1915, Fostoria introduced its American pattern (pattern number 2056). This glass pattern was used for stemware and tableware, and continued to be produced until 1988. [64]
Edward Miller & Co. (1844–1924) was formed in Meriden, Connecticut, and is primarily known as a historical manufacturer of lamps. The company also made brass kettles and oil heaters. In 1866, the corporation was formed with capital of US$200,000. Its earlier beginning included being started by Horatio Howard.