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Oscar Reutersvärd (29 November 1915 – 2 February 2002) was a Swedish graphic artist, who in 1934 pioneered the art of 3D drawings that may initially appear feasible, yet cannot be physically constructed.
This is a list of artists who actively explored mathematics in their artworks. [3] Art forms practised by these artists include painting, sculpture, architecture, textiles and origami. Some artists such as Piero della Francesca and Luca Pacioli went so far as to write books on mathematics in art.
Although he excelled at drawing, his grades were generally poor. He took carpentry and piano lessons until he was thirteen years old. [2] [3] In 1918, he went to the Technical College of Delft. [2] [3] From 1919 to 1922, Escher attended the Haarlem School of Architecture and Decorative Arts, learning drawing and the art of making woodcuts. [2]
Detail from Seurat's Parade de cirque, 1889, showing the contrasting dots of paint which define Pointillism. Pointillism (/ ˈ p w æ̃ t ɪ l ɪ z əm /, also US: / ˈ p w ɑː n-ˌ ˈ p ɔɪ n-/) [1] is a technique of painting in which small, distinct dots of color are applied in patterns to form an image.
Line art or line drawing is any image that consists of distinct straight lines or curved lines placed against a background (usually plain). Two-dimensional or three-dimensional objects are often represented through shade (darkness) or hue . Line art can use lines of different colors, although line art is usually monochromatic.
Pieter Cornelis Mondriaan (Dutch: [ˈpitər kɔrˈneːlɪs ˈmɔndrijaːn]; 7 March 1872 – 1 February 1944), known after 1911 as Piet Mondrian (/ p iː t ˈ m ɒ n d r i ɑː n /, US also /-ˈ m ɔː n-/, Dutch: [pit ˈmɔndrijɑn]), was a Dutch painter and art theoretician who is regarded as one of the greatest artists of the 20th century.
It was described by the art historian Carmen C. Bambach as "justly ranked among the all-time iconic images of Western civilization". [1] Although not the only known drawing of a man inspired by the writings of Vitruvius, the work is a unique synthesis of artistic and scientific ideals and often considered an archetypal representation of the ...
Degas scholars have agreed that the sculptures were not created as aids to painting, although the artist habitually explored ways of linking graphic art and oil painting, drawing and pastel, sculpture and photography. Degas assigned the same significance to sculpture as to drawing: "Drawing is a way of thinking, modelling another". [45]