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In 1973, I hosted the television show Salsa which was the first reference to this particular music as salsa. I was using [the term] salsa, but the music wasn't defined by that. The music was still defined as Latin music. And that was a very, very broad category, because it even includes mariachi music. It includes everything.
The term "salsa" was coined by Johnny Pacheco in the 1960s in New York, as an umbrella term for Cuban dance music being played in the city at the time. [2] Salsa as a dance emerged soon after, being a combination of mambo (which was popular in New York in the 1950s) as well as Latin dances such as Son and Rumba as well as American dances such as swing, hustle, and tap.
Salsa music is a style of Caribbean music, combining elements of Cuban, Puerto Rican, and American influences. Because most of the basic musical components predate the labeling of salsa, there have been many controversies regarding its origin. Most songs considered as salsa are primarily based on son montuno and son Cubano, with elements of cha ...
When the rhythm and music are 'in clave,' a great natural 'swing' is produced, regardless of the tempo. All musicians who write and/or interpret Cuban-based music must be 'clave conscious,' not just the percussionists. [19] Salsa is a potent expression of clave, and clave became a rhythmic symbol of the musical movement, as its popularity spread.
It is a form of urban contemporary music, often combining other Latin musical styles, Caribbean and West Indies music, (such as reggae, soca, Spanish reggae, salsa, merengue and bachata. [9] It originates from Panamanian Reggae en Español and Jamaican dancehall, however received its rise to popularity through Puerto Rico.
They took their culture with them, including various dishes, music and dancing. Rueda de Casino began to slowly make its way into the Miami salsa community during the Mariel boatlift, [2] and in the late 1980s and early 1990s it experienced an enormous explosion of popularity. However, the style of Rueda de Casino that became popular was a ...
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This music was mostly inspired by son cubano, while being rhythmically and instrumentally unrelated to Cuban rumba. [8] By 1935, with the release of " The Peanut Vendor " by Don Azpiazú and the popularity of Xavier Cugat and other Latin artists, the genre had become highly successful and well-defined.