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The transition from the Gothic to the Renaissance style was stark, the transition from intricate and complex iconography and visuals to a more toned-down version for the Renaissance era. [28] The Gothic art period for stained glass featured two styles for the windows, the tall, spear-like windows and the circular rose windows.
Oculi: These could be open or blind, could be glazed or filled with thin alabaster.During the late Gothic period very large ocular windows were common in Italy, being used in preference to traceried windows and being filled with elaborate pictures in stained glass designed by the most accomplished Late Medieval and Early Renaissance designers including Duccio, Donatello, Uccello and Ghiberti.
Rose windows were rare in English Gothic cathedrals, but Lincoln Cathedral produced two fine examples: the Dean's Eye in the north transept and the Bishop's Eye in the south transept. The Dean's Eye was begun by the French-born Bishop, Saint Hugh of Lincoln, in the Early Gothic period in 1192, and was completed in 1235. The Bishops's Eye was ...
The rose window of the north transept has the characteristic radiating tracery of the Rayonnant Gothic. [41] The rose window of the south transept is the latest, from 1489 to 1490, with the curves and reverse curves of the late Gothic Flamboyant style. It depicts fourteen angels, heads towards the centre of the window, in a style characteristic ...
Gothic book illustration, or gothic illumination, originated in France and England around 1160/70, while Romanesque forms remained dominant in Germany until around 1300. Throughout the Gothic period , France remained the leading artistic nation, influencing the stylistic developments in book illustration .
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The vertical plan of early Gothic cathedrals had three levels, each of about equal height; the clerestory, with arched windows which admitted light on top, under the roof vaults; the triforium a wider covered arcade, in the middle; and, on the ground floor, on either side of the nave, wide arcades of columns and pillars, which supported the weight of the ceiling vaults through the ribs
Rayonnant (French pronunciation: [ʁɛjɔnɑ̃]) style is the third of the four phases of Gothic architecture in France, as defined by French scholars. [6] [7] Related to the English division of Continental Gothic into three phases (Early, High, Late Gothic), it is the second and larger part of High Gothic.