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Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
'Homiliary on Uriel' or 'The Sermon of Urael' [1]) is an Ethiopian homiliary containing a collection of miracles and sermons in honour of the Archangel Uriel. The homiliary itself belongs to a larger collection of homilies dedicated to the angels ( Dǝrsanä mälaʾǝkt ).
Religious images in Christian theology have a role within the liturgical and devotional life of adherents of certain Christian denominations. The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity.
Copping's beautifully executed watercolour illustrations were put onto lantern slides and were used by Christian missionaries all over the world. His pictures were also widely reproduced by missionary societies as posters, tracts and as magazine illustrations. [3] Copping and Violet Amy Prout at the time of their engagement (c.1887)
The Areopagus sermon refers to a sermon delivered by Apostle Paul in Athens, at the Areopagus, and recounted in Acts 17:16–34. [ 1 ] [ 2 ] The Areopagus sermon is the most dramatic and most fully-reported speech of the missionary career of Saint Paul and followed a shorter address in Lystra recorded in Acts 14:15–17 .
He also held a Wednesday evening service, the sermons from which formed the basis of two books he later published: Things Most Surely Believed (1930) and What Jesus Really Taught (1958). In 1930, he founded the Tuesday Noon Club for Businessmen, an interdenominational group of Pittsburgh businessmen who met Tuesdays at noon for lunch, singing ...
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