Search results
Results From The WOW.Com Content Network
Although butch–femme was not the only organizing principle among lesbians in the mid-20th century, it was particularly prominent in the working-class lesbian bar culture of the 1940s, 1950s, and 1960s, where butch–femme was the norm, while butch–butch and femme–femme relationships were taboo. [4]
Download as PDF; Printable version; In other projects ... Pages in category "Butch and femme" The following 14 pages are in this category, out of 14 total.
It was often understood in conjunction with femme identity, and butch–femme relations have been studied at great length. [6] As a result, butch identity on its own remains somewhat ill-defined. [6] Butch people are often described as sexually dominant lesbians who are interested in having sex with femmes. [6]
This article lists lesbian, gay, bisexual, transgender, or queer-related films involving participation and/or representation of LGBTQ people. The list includes films that deal with or feature significant LGBTQ issues or characters.
Lesbian portrayal in media is generally in relation to feminism, love and sexual relationships, marriage and parenting. Some writers have stated that lesbians have often been depicted as exploitative and unjustified plot devices. Common representations of lesbians in the media include butch or femme lesbians and lesbian parents. "Butch" lesbian ...
The film focuses on the relationship between filmmaker Jo (Lois Weaver) and her girlfriend, lawyer Agatha (Sheila Dabney). While tidying the books and papers in Jo's flat, Agatha finds suggestive photos of Jo and her former (male) lovers. She also finds a diary, with more photos and pages about men that Jo has known in the past.
Lucy and her girlfriend Judy are criticized throughout the movie because of their relationship. United States [194] Lucy Collins Kelly Preston: 2004 My Summer of Love: Tamsin Emily Blunt: Tasin forms a romantic relationship with her partner despite their different classes and backgrounds. United Kingdom [195] 2004 Saving Face: Willhelmina "Wil ...
Melissa Sky argues that, due to the political motivations of Naiad Press, "the cover art betrays a feminist ambivalence towards the kinds of non-egalitarian relationships depicted in Bannon's series," specifically the butch-femme relationships that were often central to lesbian bar culture of the 1950s.