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"Sweet Jane" is a song by American rock band the Velvet Underground. Appearing on their fourth studio album Loaded (1970), the song was written by band leader and primary songwriter Lou Reed, who continued to incorporate the piece into live performances after he left the band. When Loaded was originally released in 1970, the song's bridge was
"Queen Jane Approximately" is a song from Bob Dylan's 1965 album Highway 61 Revisited. It was released as a single as the B-side to "One of Us Must Know (Sooner or Later)" in January 1966. It has also been covered by several artists, including the Grateful Dead and The Four Seasons. [2]
"Althea" was a key contributing factor to the formation of Dead & Company. Guitarist John Mayer first heard the song in 2011 on Pandora and became infatuated with the Grateful Dead. While guest hosting The Late Late Show in 2015, Mayer invited former Grateful Dead guitarist Bob Weir to appear on the show as a musical guest. The two performed ...
The studio recording of the song was released as the third piece on the album Workingman's Dead in May 1970. [4] [5] [7] Its first known performance was at San Francisco's California Hall, on June 7, 1969. The song became a staple of the Grateful Dead's live performances; the electric version of the song was typically featured on the band's ...
The Grateful Dead performed the song during their farewell run of shows in 2015. The following year, The National recorded a version for Grateful Dead tribute compilation album. [1] Skating Polly also did a rendition of the song on their 2016 album, The Big Fit. [citation needed] As of 2024, "Morning Dew" has been performed live by Dead ...
Not much of the song makes much sense in the modern age, but knowing the rich history behind the elaborate song (which ends up totaling 364 gifts, by the way) puts the seemingly odd lyrics in ...
"Truckin '" is associated with the blues and other early 20th-century forms of folk music. [6]"Truckin '" was considered a "catchy shuffle" by the band members. [7] Garcia commented that "the early stuff we wrote that we tried to set to music was stiff because it wasn't really meant to be sung... the result of [lyricist Robert Hunter getting into our touring world], the better he could write ...
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