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Tresillo is a Spanish word meaning "triplet"—three equal notes within the same time span normally occupied by two notes. In its formal usage, [further explanation needed] tresillo refers to a subdivision of the beat that does not normally occur within the given structure. Therefore, it is indicated by the number 3 between the halves of a ...
Tresillo is generated through cross-rhythm: 8 pulses ÷ 3 = 2 cross-beats (consisting of three pulses each), with a remainder of a partial cross-beat (spanning two pulses). In other words, 8 ÷ 3 = 2, r2. Tresillo is a cross-rhythmic fragment.
Tresillo [40] [41] Play ⓘ In Cuban popular music, the first three strokes of son clave are also known collectively as tresillo, a Spanish word meaning triplet i.e. three almost equal beats in the same time as two main beats. However, in the vernacular of Cuban popular music, the term refers to the figure shown here.
The tresillo may be represented geometrically as an isosceles triangle, formed from three vertices of a regular octahedron, with the two long sides and one short side of the triangle corresponding to the gaps between beats. In the figure, the conventional start to a tresillo bar, the beat before the first of its two longer gaps, is at the top ...
The most common tuplet [9] is the triplet (German Triole, French triolet, Italian terzina or tripletta, Spanish tresillo).Whereas normally two quarter notes (crotchets) are the same duration as a half note (minim), three triplet quarter notes have that same duration, so the duration of a triplet quarter note is 2 ⁄ 3 the duration of a standard quarter note.
Most salsa bass tumbaos are based on the tresillo pattern. Often the last note of the measure (ponche) is held over the downbeat of the next measure. In this way, only the two offbeats of tresillo are sounded. This tumbao is clave-neutral. Clave-neutral tresillo-based tumbao. Some salsa tumbaos that have a specific alignment with clave.
Enjoy a classic game of Hearts and watch out for the Queen of Spades!
However, tresillo is generated through cross-rhythm: 8 pulses ÷ 3 = 2 cross-beats (consisting of three pulses each), with a remainder of a partial cross-beat (spanning two pulses). In other words, 8 ÷ 3 = 2, r2. Tresillo is a cross-rhythmic fragment. It contains the first three cross-beats of the four-over-three cross-rhythm. [44]