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Phædo or Phaedo (/ ˈ f iː d oʊ /; Greek: Φαίδων, Phaidōn [pʰaídɔːn]), also known to ancient readers as On The Soul, [1] is one of the best-known dialogues of Plato's middle period, along with the Republic and the Symposium.
The Rhetoric of Morality and Philosophy: Plato's Gorgias and Phaedrus. University of Chicago Press. Blyth, Dougal. 1997. “The Ever-Moving Soul in Plato’s Phaedrus.” The American Journal of Philology 118: 185–217. Campbell, Douglas R. "Self‐Motion and Cognition: Plato's Theory of the Soul" Southern Journal of Philosophy 59 (4): 523 ...
Accordingly, the Phaedo presents a real challenge to commentators because Plato oscillates between different conceptions of the soul. In the cyclical and Form-of-life arguments, for instance, the soul is presented as something connected with life, where, in particular, in the final argument, this connection is spelled out concretely by means of ...
The traditional division of the works of Plato into tetralogies was done by Thrasyllus of Mendes. [6] The list includes works of doubtful authenticity (in italic), as well as the Letters. 1st tetralogy Euthyphro, Apology, Crito, Phaedo; 2nd tetralogy Cratylus, Theatetus, Sophist, Statesman; 3rd tetralogy Parmenides, Philebus, Symposium, Phaedrus
Phaedo was present at the death of Socrates in 399 BCE, and was young enough for Socrates to stroke his hair, [2] which was worn long in the Spartan style. [5] That Phaedo was friends with Plato seems likely from the way in which he is introduced in Plato's dialogue Phaedo, which takes its name from him.
Plato often invokes, particularly in his dialogues Phaedo, Republic and Phaedrus, poetic language to illustrate the mode in which the Forms are said to exist. Near the end of the Phaedo , for example, Plato describes the world of Forms as a pristine region of the physical universe located above the surface of the Earth ( Phd. 109a–111c).
Echecrates (Greek: Ἐχεκράτης) was a Pythagorean philosopher from the ancient Greek town of Phlius. [1]He appears in Plato's Phaedo dialogue as an aid to the plot. He meets Phaedo, the dialogue's namesake, some time after the execution of Socrates, and asks Phaedo to tell him the story of the famed philosopher's last hours. [2]
In Phaedo, Plato develops his theory of anamnesis, in part by combining it with his theory of forms. Firstly, he elaborates how anamnesis can be achieved: whereas in Meno , nothing more than Socrates' method of questioning is offered, in Phaedo , Plato presents a way of living that would enable one to overcome the misleading nature of the body ...