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manji* (卍)- the Japanese name of the swastika, symbol used for Buddhist temples in Japanese maps. mappō - the Degenerate Age of Dharma; miei-dō* (御影堂) – lit. "image hall". Building housing an image of the temple's founder, equivalent to a Zen sect's kaisan-dō. [1]
Daibutsu (大仏, kyūjitai: 大佛) or 'giant Buddha' is the Japanese term, often used informally, for large statues of Buddha.The oldest is that at Asuka-dera (609) and the best-known is that at Tōdai-ji in Nara (752). [1]
' Buddha ') – A term meaning either Buddha or dead soul. While Buddhist in origin, the term is used in the second sense by all Japanese religions. [1] Hyakudoishi (百度石, lit. ' hundred-times stone ') – Sometimes present as a point of reference for the hyakudomairi near the entrance of a shrine or Buddhist temple. Hyakudomairi (百度 ...
Bishamonten is the Japanese equivalent of the Indian Kubera and the Buddhist Vaishravana. [39] [40] Daikokuten (大黒天) Often shortened to simply Daikoku, he is variously considered to be the god of wealth (more specifically, the harvest), or of the household (particularly the kitchen). He is recognized by his wide face, smile, and flat ...
In Shinto and Buddhism in Japan, an ofuda (お札/御札, honorific form of fuda, ' slip [of paper], card, plate ') or gofu (護符) is a talisman made out of various materials such as paper, wood, cloth or metal.
A Daruma doll (Japanese: 達磨, Hepburn: daruma) is a hollow, round, Japanese traditional doll modeled after Bodhidharma, the founder of the Zen tradition of Buddhism. These dolls, though typically red and depicting the Indian monk, Bodhidharma, vary greatly in color and design depending on region and artist. [1]
The Buddhist Pantheon in Japanese Buddhism is defined by a hierarchy in which the Buddhas occupy the topmost category, followed in order by the numerous Bodhisattvas, the Wisdom Kings, the Deities, the "Circumstantial appearances" and lastly the patriarchs and eminent religious people.
The earliest Buddhist art is from the Mauryan era (322 BCE – 184 BCE), there is little archeological evidence for pre-Mauryan period symbolism. [6] Early Buddhist art (circa 2nd century BCE to 2nd century CE) is commonly (but not exclusively) aniconic (i.e. lacking an anthropomorphic image), and instead used various symbols to depict the Buddha.