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The Agama texts describe twenty-five forms of Shiva, offering specifications in which the deity is to be represented. For each form, the attire, ornaments, posture, weapons, as well as the other accessories associated with the form are described, along with associated deities and objects. [4]
Raja Balwant Singh’s Vision of Krishna and Radha by Nainsukh. Jasrota, c. 1745-1750. Metropolitan Museum of Art. The Kangra art style originated in Guler State, a small hill princely state in the Lower Himalayas in the first half of the 18th century when a family of Kashmiri painters trained in the Mughal painting style sought shelter at the court of Raja Dalip Singh (r. 1695–1741) of Guler.
Painting of Brahma and Shiva as Bhairava. The god Brahma, while most commonly depicted with four heads, is also mentioned with five heads in Hindu literature.According to one legend, after Brahma gave birth to the first woman with Sarasvati, named Shatarupa, he grew infatuated by her, despite the protests of sages that she was his biological daughter.
The version appearing in Book 13 (Anuśāsanaparvan) of the Mahabharata provides one such list. [a] Shiva also has Dasha-Sahasranamas (10,000 names) that are found in the Mahanyasa. The Shri Rudram Chamakam, also known as the Śatarudriya, is a devotional hymn to Shiva hailing him by many names. [55] [56]
It is the function of Prakṛti (nature, consort of Shiva) and Parā Śaktī. This face of Śiva is Buddhi rūpa (Intellect) and it represents Pūrṇagiri Pīṭha. Banaliṅgam. There are one billion mantras trying to describe this face of Śiva. The direction of this face is South and it is smoky (Dhumra varṇa) in color.
The name Ardhanarishvara means "the Lord Who is half woman." Ardhanarishvara is also known by other names like Ardhanaranari ("the half man-woman"), Ardhanarisha ("the Lord who is half woman"), Ardhanarinateshvara ("the Lord of Dance (Who is half-woman), [1] [2] Parangada, [3] Naranari ("man-woman"), Ammaiyappan (a Tamil Name meaning "Mother-Father"), [4] and Ardhayuvatishvara (in Assam, "the ...