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A number of concertos and concertante works have been written for cor anglais (English horn) and string, wind, chamber, or full orchestra.. English horn concertos appeared about a century later than oboe solo pieces, mostly because until halfway through the 18th century different instruments (the taille de hautbois, vox humana and the oboe da caccia) had the role of the tenor or alto ...
The Serenade for Tenor, Horn and Strings, Op. 31, is a song cycle written in 1943 by Benjamin Britten for tenor, solo horn and a string orchestra.Composed during the Second World War at the request of the horn player Dennis Brain, it is a setting of a selection of six poems by English poets on the subject of night, including both its calm and its sinister aspects.
Shakespeare's Early Modern English [6] was a time of great linguistic change for the English language. [7] One change that was then taking place was the Great Vowel Shift, which changed the pronunciation of long vowels. [7] Many words of Early Modern English were pronounced differently from today's standard pronunciation of Modern English. [7]
A page from the Ormulum demonstrating the editing performed over time by Orrm, [1] as well as the insertions of new readings by "Hand B". The Ormulum or Orrmulum is a twelfth-century work of biblical exegesis, written by an Augustinian canon named Orrm (or Orrmin) and consisting of just under 19,000 lines of early Middle English verse.
Giacomo Meyerbeer, portrayed in 1839. Les Huguenots was some five years in creation. Meyerbeer prepared carefully for this opera after the sensational success of Robert le diable, recognising the need to continue to present lavish staging, a highly dramatic storyline, impressive orchestration and virtuoso parts for the soloists – the essential elements of the new genre of Grand Opera.
Requiem Canticles is a 15-minute composition by Igor Stravinsky, for contralto and bass soli, chorus, and orchestra.Stravinsky completed the work in 1966, and it received its first performance that same year.
In the late nineteenth century, Henry Sweet argued for the coaching of students in the use of their articulators: "Those who try to learn new sounds by ear alone, without any systematic training in the use of their vocal organs, generally succeed only partially. ...
Phonemic notation commonly uses IPA symbols that are rather close to the default pronunciation of a phoneme, but for legibility often uses simple and 'familiar' letters rather than precise notation, for example /r/ and /o/ for the English [ɹʷ] and [əʊ̯] sounds, or /c, ɟ/ for [t͜ʃ, d͜ʒ] as mentioned above.