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The Apollo of Veii is a good example of the mastery with which Etruscan artists produced these large art pieces. It was made, along with others, to adorn the temple at Portanaccio 's roof line. Although its style is reminiscent of the Greek Kroisos Kouros , having statues on the top of the roof was an original Etruscan idea.
Etruscan art was largely a derivation of Greek art, although developed with many characteristics of its own. [1] Given the almost total lack of Etruscan written documents, a problem compounded by the paucity of information on their language —still largely undeciphered—it is in their art that the keys to the reconstruction of their history ...
Etruscan black-figure hydria, early 5th century BC. The local production of Etruscan vases probably began in the 7th century BC. Initially, the vases followed examples of black-figure vase painting from Corinth and East Greece. It is assumed that in the earliest phase, vases were produced mainly by immigrants from Greece.
Although the figures are distinctly Etruscan, [2] the artist of the central banquet draws on trends in Greek art and marks a transition from Archaic to Early Classical style in Etruscan art. [9] The processions on the left and right are more markedly Archaic and were executed by different artists. [10] The tomb was discovered in 1875.
ROME (AP) — Italian authorities on Tuesday announced the extraordinary discovery of more than 2,000-year-old bronze statues in an ancient Tuscan thermal spring and said the find will “rewrite ...
Etruscan ivory pyxis and lid with sphinx-shaped handle, 650–625 BC. The Orientalizing period or Orientalizing revolution is an art historical period that began during the later part of the 8th century BC, when art of the Eastern Mediterranean and the Ancient Near East heavily influenced nearby Mediterranean cultures, most notably Archaic Greece.
A trove of bronze statues that archeologist say could rewrite the history of Italy's transition to the Roman Empire have been discovered. Ancient Etruscan statues illuminate history of pre-Roman Italy
The high-relief of the "Tarquinia Winged Horses" is a fragment of the colonnade that supported the pediment of the most important temple of the ancient Etruscan city of Tarquínia, at the Ara della Regina, better known as the Major Temple of Tarquínia. Nowadays situated at the Province of Viterbo (region of Lazio, Italy). [1] [2]