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Film analysis is the process by which a film is analyzed in terms of mise-en-scène, cinematography, sound, and editing. One way of analyzing films is by shot-by-shot analysis, though that is typically used only for small clips or scenes. Film analysis is closely connected to film theory. Authors suggest various approaches to film analysis.
Chicago critic Roger Ebert (right) with director Russ Meyer. Film criticism is the analysis and evaluation of films and the film medium. In general, film criticism can be divided into two categories: Academic criticism by film scholars, who study the composition of film theory and publish their findings and essays in books and journals, and general journalistic criticism that appears regularly ...
Limited number of reviews: The websites tend to focus on relatively mainstream films. Their collection of reviews for more obscure films is smaller, which affects their scores. For example, Rotten Tomatoes will have a sample of over 200 reviews for a Hollywood blockbuster film, which is large enough for statistical accuracy.
This review, referring to those who froze to death in the Atlantic following the sinking of the RMS Titanic, is an example of a “pop culture reference” review, as it is a pun on a famous quote from another film (The Sixth Sense). It quickly became one of the top vote-getters, and has spawned imitators throughout the site, all based on the ...
Movie Review Intelligence was a review aggregator website which collated and analyzed movie reviews. The site was established in 2009 by former studio executive David A. Gross, and has been described by critic Joe Williams as, "brainier than Rotten Tomatoes but less exclusive than Metacritic ".
Psychoanalytic film theory is a school of academic thought that evokes the concepts of psychoanalysts Sigmund Freud and Jacques Lacan. The theory is closely tied to Critical theory, Marxist film theory, and Apparatus theory. The theory is separated into two waves. The first wave occurred in the 1960s and 70s.
Film theory is a set of scholarly approaches within the academic discipline of film or cinema studies that began in the 1920s by questioning the formal essential attributes of motion pictures; [1] and that now provides conceptual frameworks for understanding film's relationship to reality, the other arts, individual viewers, and society at large. [2]
A similar type of review that may be biased is the so-called "puff piece", a review of "[a product]", film, or event that is written by a sympathetic reviewer or by an individual who has a connection to the product or event in question, either in terms of an employment relationship or other links. For example, a major media conglomerate that ...