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Winning Time: The Rise of the Lakers Dynasty is an American sports drama television series created by Max Borenstein and Jim Hecht for HBO, based on the book Showtime: Magic, Kareem, Riley, and the Los Angeles Lakers Dynasty of the 1980s by Jeff Pearlman.
[25] Robert Lloyd from Los Angeles Times praised the series, stating that it is "a story about parents and children as much as it is about justice and race — the series has plenty of contemporary resonance on the latter account — and there is strong work from Niecy Nash, John Leguizamo, Aunjanue Ellis and Michael Kenneth Williams among the ...
La Palma is a 2024 Netflix miniseries based on the Cumbre Vieja tsunami hazard hypothesis and partially on the 2021 Cumbre Vieja volcanic eruption. [ 1 ] [ 2 ] [ 3 ] It was filmed mostly in La Palma [ 4 ] as well as in Tenerife .
Riot believed the show would be the first of many produced by its new entertainment division, which would transform the Los-Angeles based company into the next Walt Disney Co.
According to Netflix, it was one of the streamer's most-watched shows of all time, racking up 98 million views. "American Nightmare" Denise Huskins and Aaron Quinn in Netflix's "American Nightmare."
Additionally, the OA fan base raised funds for a digital billboard in Times Square. [37] Marling wrote that she was moved by the fan support. One fan went on a hunger strike outside Netflix's Los Angeles Headquarters to protest for the show's return; Marling and Batmanglij visited her and offered her food and water. [38]
Based on the book Marcelo Rubens Paiva wrote about his own family, the drama by director Walter Salles introduces the dynamics of this tight-knit household with an ensemble cast that makes their ...
[14] Reviewing the series for Chicago Sun-Times, Richard Roeper gave a rating of 3.5/4 and wrote, "A Man on the Inside moves at a breezy clip, but still finds room to flesh out a number of subplots and supporting players." [15] For its first season, it was recognized as one of the top 10 television programs of 2024 by American Film Institute. [16]