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The opposite of an obligatory caesura is a bridge where word juncture is not permitted. In modern European poetry, a caesura is defined as a natural phrase end, especially when occurring in the middle of a line. A masculine caesura follows a stressed syllable while a feminine caesura follows an unstressed syllable.
A line may have more than one caesura, or none at all. If near the beginning of the line, it is called the initial caesura; near the middle, medial; near the end, terminal. An accented or masculine caesura follows an accented syllable, an unaccented or feminine caesura an unaccented syllable. The caesura is used in two essentially contrary ways ...
Brontë also develops caesura in the first line of stanza four. By combining repetition and the comma in, "For many a week, and many a day," Brontë mimics the length that she is describing. Juxtaposition and contrasting imagery are used effectively in stanza four to conclude the poem.
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It is a repetition of similar sounds occurring in lines in a poem which gives the poem a symmetric quality. Caesura–A metrical pause or break in a verse where one phrase ends and another phrase begins. Enjambment–The continuation of a sentence without a pause beyond the end of a line, couplet, or stanza.
Today's Wordle Answer for #1259 on Friday, November 29, 2024. Today's Wordle answer on Friday, November 29, 2024, is HIPPO. How'd you do? Next: Catch up on other Wordle answers from this week.
The entire play is written in verse, in rhyming couplets of twelve syllables per line, very close to the classical alexandrine form, but the verses sometimes lack a caesura. It is also meticulously researched, down to the names of the members of the Académie française and the dames précieuses glimpsed before the performance in the first scene.