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A caesura is also described by its position in a line of poetry: a caesura close to the beginning of a line is called an initial caesura, one in the middle of a line is medial, and one near the end of a line is terminal. Initial and terminal caesurae are rare in formal, Romance, and Neoclassical verse, which prefer medial caesurae.
As is typical of Old English verse, the metre of the poem is alliterative and consists of four-stress lines, divided between the second and third stresses by a caesura. Each caesura is indicated in the manuscript by a subtle increase in character spacing and with full stops, but modern print editions render them in a more obvious fashion. It is ...
A papyrus manuscript preserving Sappho's "Fragment 5", a poem written in Sapphic stanzas. The Sapphic stanza, named after the poetess Sappho, is an Aeolic verse form of four lines.
Old English poetry, like other Old Germanic alliterative verse, is also commonly marked by the caesura or pause. In addition to setting pace for the line, the caesura also grouped each line into two hemistichs .
The metre of this poem is no less remarkable than its diction; it is a dactylic hexameter in three sections, with mostly bucolic caesura alone, [citation needed] with tailed rhymes and a feminine leonine rhyme between the two first sections; the verses are technically known as leonini cristati trilices dactylici, and are so difficult to construct in great numbers that the writer claims divine ...
As with Seneca, a caesura after the 5th element ensures a regular word-accent on the 4th and 6th element. Resolved elements are used sparingly. The iambic distich is the basis of many poems of a genre known as Iambus, in which the poet abuses and censures individuals or even communities, whether real or imaginary. Iambic rhythms were felt to be ...
Old English metre is the conventional name given to the poetic metre in which English language poetry was composed in the Anglo-Saxon period. The best-known example of poetry composed in this verse form is Beowulf, but the vast majority of Old English poetry belongs to the same tradition.
Significantly, they allowed an "epic caesura" — an extrametrical mute e at the close of the first hemistich (half-line), as exemplified in this line from the medieval Li quatre fils Aymon: o o o o o S(e) o o o o o S Or sunt li quatre frère | sus el palais plenier [ 4 ] o=any syllable; S=stressed syllable; (e)=optional mute e; |=caesura