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Dynamics in a piece should be interpreted relative to the other dynamics in the same piece. For example, pp should be executed very softly, but if ppp is found later in the piece, pp should be markedly louder than ppp. More than three p s (ppp) or three f s (fff) are uncommon. piano (p) Gently (i.e. played or sung softly) (see dynamics) piano ...
Pianissimo is a term in music dynamics meaning "to be played very softly." Pianissimo may also refer to: Pianissimo, a 1990 album by Suzanne Ciani; Pianissimo, a part of the Requiem trilogy by Virgin Black
A silent pause in a piece of music Ossia: from o ("or") + sia ("that it be") A secondary passage of music which may be played in place of the original Ostinato: stubborn, obstinate: A repeated motif or phrase in a piece of music Pensato: thought out: A composed imaginary note Ritornello: little return: A recurring passage in a piece of Baroque ...
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The concluding Amen begins with a powerful entry of the alto, followed by imitation in the other voices, leading to a restful ending in low register and very softly. [ 1 ] Evening Hymn , called a "noble" anthem, is regarded as Gardiner's best-known work [ 6 ] and a classic of the English choral tradition, often sung at evensong . [ 2 ]
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
[1] Gimbel passed these lyrics to Fox, who set them to music. [2] Lieberman recorded the song in late 1971 and released it as a single in 1972, produced by Gimbel and Fox. This version did not chart. Lieberman promoted the album by touring, and she always introduced the song "Killing Me Softly" by describing its origin in the McLean performance.
The intimate "My Foolish Heart" is also rather abstract and played very softly, with the primary focus on Mraz. The leader switches to electric mandolin for a breakneck-tempo dash through John Coltrane's "Bessie's Blues," which opens with a furious solo by Donald, while Abercrombie focuses on the upper range of his instrument.