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Pete Tosiello of LA Weekly regarded the song to be the "greatest triumph" from Uncle Sam's Curse, "perhaps Above the Law's finest moment on wax and an essential piece of the West Coast rap canon." [3] Complex [4] and The Ringer [5] included the song in their respective lists of the 100 and 101 best L.A. rap songs.
The song "Freedom of Speech" was featured in the 1990 movie Pump Up the Volume and its soundtrack album. In September 1990, members of Above the Law clashed with Ice Cube and his posse, Da Lench Mob, during the annual New Music Seminar conference. The group's first full-length album, Livin' Like Hustlers, was released in 1990.
Livin' Like Hustlers is the debut album by American hip hop group Above the Law. [1] [2] It was released on February 20, 1990, via Ruthless Records; an advanced promo cassette version was released two months earlier. The album was produced by Dr. Dre and Above the Law and featured a guest performance from N.W.A on "The Last Song".
"I Am the Law" was released in 12-inch single format in 1987, with catalog ID 12IS316 from Island Records. Some versions came with a promo poster. It was also the first single for the album, displaying Judge Dredd's badge with band's logo and a US Flag in the background. [1] Track Listing Side A. 1. I Am the Law (04:05) Side B. 2. I'm the Man ...
In an unsparing dissent, Justice Sonia Sotomayor said the Supreme Court allowed a president to become a “king above the law” in its ruling that limited the scope of criminal charges against ...
I Am the Law, starring Alice Lake and Kenneth Harlan; I Am the Law, starring Edward G. Robinson; I'm the Law, 1952 syndicated TV series starring George Raft "I am the law!", frequently-used expression by fictional comic book character Judge Dredd "I Am the Law", 1981 song by The Human League written about this character which features on the ...
[4] A review of the song by Frank Owen in Spin praised Dr. Dre's production, saying that the producer "has a remarkable talent for making noise funky, and he shows it to great effect". [5] However, Owen criticized Above the Law as lyricists, writing, "they present this hardcore life without any of the dandy charm that Big Daddy Kane or Oran ...
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