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Dove and Rose jacquard-woven silk and wool double cloth furnishing textile, designed by William Morris in 1879. [1]Double cloth or double weave (also doublecloth, double-cloth, doubleweave) is a kind of woven textile in which two or more sets of warps and one or more sets of weft or filling yarns are interconnected to form a two-layered cloth. [2]
Doubling is a textile industry term synonymous with combining. It can be used for various processes during spinning.During the carding stage, several sources of roving are doubled together and drawn, to remove variations in thickness.
Viking longships used wool for sailcloth. The cloth was woven in one of three ways, according to locality and tradition: plain weave with individual threads going over and under each other, three-shaft twill with two threads going over and under at each cross thread, and four-shaft twill with thread interwoven with two threads at a time in either direction.
A warp-weighted loom (see diagram) typically uses a heddle-bar, or several. It has two upright posts (C); they support a horizontal beam (D), which is cylindrical so that the finished cloth can be rolled around it, allowing the loom to be used to weave a piece of cloth taller than the loom, and preserving an ergonomic working height.
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Basic leno weave. Leno weave (also called gauze weave or cross weave) [1] is a weave in which two warp yarns are woven around the weft yarns to provide a strong yet sheer fabric. . The standard warp yarn is paired with a skeleton or 'doup' yarn; these twisted warp yarns grip tightly to the weft which causes the durability of the fabr
A rapier loom is a shuttleless weaving loom in which the filling yarn is carried through the shed of warp yarns to the other side of the loom by finger-like carriers called rapiers. [1] A stationary package of yarn is used to supply the weft yarns in the rapier machine. One end of a rapier, a rod or steel tape, carries the weft yarn.
[4] To use a temple, the length is first adjusted so that it matches the total width (or spread) of warp threads in the reed. The prongs are then inserted into the fabric, on each side, at the very edges of the cloth. The temple must be moved frequently to keep it close to the fell of the fabric, where the weaving is taking place. [2]