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Moura described the song as being a "symbol of freedom and emancipation, of creativity in its purest form." [ 1 ] The lyrics in the song refer to swallows , a type of bird very common in Portugal that are easily found during the spring and summer seasons, that migrate to hotter regions of Europe and Africa during fall and winter.
11 5 1969: Simone de Oliveira " Desfolhada portuguesa" Portuguese 15 4 1971: Tonicha " Menina do alto da serra" Portuguese 9 83 1972: Carlos Mendes " A festa da vida" Portuguese 7 90 1973: Fernando Tordo " Tourada" Portuguese 10 80 1974: Paulo de Carvalho " E depois do adeus" Portuguese 14 3 1975: Duarte Mendes " Madrugada" Portuguese 16 16 ...
Cátia Mazari Oliveira is from Setúbal, where she was born on 29 October 1983. [3] She grew up in Bairro 2 de Abril, a social housing district in the city, from where she left at the age of 25. [4]
Mariana Brito da Cruz Forjaz Secca (born 30 October 1994), known professionally as MARO (stylised in all caps), is a Portuguese singer and songwriter. She won Festival da Canção 2022 and represented Portugal in the Eurovision Song Contest 2022 in Turin , Italy with the song " Saudade, saudade ".
Da Vinci is a Portuguese band created by Iei-Or and Pedro Luís Neves, whose members included Ricardo, Joaquim Andrade, Dora and Sandra Fidalgo, among others throughout the years. Since Ricardo had a plane accident, he was replaced by Tó.
Tonicha (born Antónia de Jesus Montes Tonicha on 8 March 1946) is a Portuguese pop-folk singer. She represented Portugal in the Eurovision Song Contest 1971, with the song "Menina do alto da serra" ("Girl from the country mountain"); [1] she finished ninth in a field of 18, with 83 points. [2]
Marco Paulo, the forerunner of pimba music. Emanuel, an icon of the pimba music scene.. Pimba [1] is an umbrella term for Portuguese types or genres of music with an uptempo style and/or folk song features, corny romantic or saucy and vulgar lyrics, which was often associated with poorly educated public from rural areas and suburban poor or working-class neighbourhoods, as well as with ...
The Portuguese participating broadcaster, Radiotelevisão Portuguesa (RTP), selected its entry at the Grande Prémio TV da Canção Portuguesa 1969. Actually, de Oliveira was not the authors' first choice to defend the song at the national final, having even been invited to a week of the event.