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Broadcast Title Eps. Prod. Cast and crew Theme song(s) Genre Notes 11 Mar–3 Jul [17] [18] [19] [20]Trạm cứu hộ trái tim (Heart Rescue Station) 51 VFC Vũ Trường Khoa (director); Nguyễn Thu Thủy, Nguyễn Nhiệm, Thùy Dương, Lương Ly, Đỗ Lê (writers); Hồng Diễm, Quang Sự, Trương Thanh Long, Lương Thu Trang, Đồng Thu Hà, Phạm Cường, Mỹ Uyên, Thúy ...
Yellow Flowers on the Green Grass (Vietnamese: Tôi thấy hoa vàng trên cỏ xanh) is a 2015 Vietnamese film. It was adapted from the novel of the same name by Nguyễn Nhật Ánh . It was directed by Victor Vũ and produced by Galaxy Media & Entertainment Saigon Concert , Phương Nam Film , PS Việt Nam and K+ Television channel. [ 3 ]
Dame Kieu Chinh was born on September 3, 1937, in Hanoi with the real name Nguyen Thị Kieu Chinh.. During World War II, her mother and her newly born brother were killed when their hospital was struck by an Allied bombing raid targeting Japanese troops in Hanoi during the Japanese occupation of French Indochina, when Chinh was at the age of six. [1]
𤾓 Trăm 𢆥 năm 𥪞 trong 𡎝 cõi 𠊛 người 些, ta, 𤾓 𢆥 𥪞 𡎝 𠊛 些, Trăm năm trong cõi người ta, A hundred years in the realm of humanity, 2) 𡨸 Chữ 才 tài 𡨸 chữ 命 mệnh 窖 khéo 𱺵 là 恄 ghét 𠑬。 nhau. 𡨸 才 𡨸 命 窖 𱺵 恄 𠑬。 Chữ tài chữ mệnh khéo là ghét nhau. Talent and destiny resent each other. 3) 𣦰 ...
When the Phone Rings (Korean: 지금 거신 전화는) is a 2024–2025 South Korean television series written by Kim Ji-woon, co-directed by Park Sang-woo and Wi Deuk-gyu, and starring Yoo Yeon-seok, Chae Soo-bin, Heo Nam-jun, and Jang Gyu-ri.
1-Hydroxy-7-azabenzotriazole (HOAt) is a triazole used as a peptide coupling reagent. [2] It suppresses racemization that can otherwise occur during the reaction. [3] HOAt has a melting point of 213-216 °C. [4]
Blue Lagoon: The Awakening is a 2012 American romantic drama television film that premiered on Lifetime on June 16, 2012. [1] Indiana Evans and Brenton Thwaites star in the film, which is based on the 1908 novel The Blue Lagoon and its previous film adaptations.
The Dictionary of Film Studies defines the horror film as representing “disturbing and dark subject matter, seeking to elicit responses of fear, terror, disgust, shock, suspense, and, of course, horror from their viewers.” [2] In the chapter The American Nightmare: Horror in the 70s from Hollywood from Vietnam to Reagan (2002), film critic Robin Wood declared that the commonality between ...