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Sơn Tinh – Thủy Tinh (The Mountain God vs.The Lord of the Waters) is a Vietnamese myth.It explains the practice of tidal irrigation and devastating floods in Vietnam as a result of monsoon—a seasonal prevailing wind in the region of South and Southeast Asia, blowing from the southwest between May and September and bringing rain (the wet monsoon), or from the northeast between October ...
Vat Phu: The Ancient City, The Sanctuary, The Spring (pamphlet). ^ Freeman, A Guide to Khmer Temples in Thailand and Laos p. 200-201. ^ ICOMOS report p. 71. ^ ICOMOS report p. 72. ^ Global Heritage Fund - Where We Work - Wat Phu, Laos Accessed on 2009-04-28. ^ Global Heritage Fund - Where We Work - Wat Phu, Laos Accessed on 2009-04-28.
Đông Hồ painting depicts Phù Đổng Thiên Vương Statue of little Thánh Gióng at Phù Đổng Six-Way Intersection, Ho Chi Minh City. Thánh Gióng (chữ Nôm: 聖揀), [1] also known as Phù Đổng Thiên Vương (chữ Hán: 扶董天王, Heavenly Prince of Phù Đổng), Sóc Thiên Vương (chữ Hán: 朔天王), Ông Gióng (翁揀, sir Gióng) [2] [3] and Xung Thiên Thần ...
Download as PDF; Printable version; In other projects ... Phú Thủy is a commune (xã) and village in Lệ Thủy District, Quảng Bình Province, in Vietnam. [1]
Nguyễn Thụy Anh was born in Hanoi.Her parents came from Hà Tĩnh, inside, her father has ever been in the navy.. About 1989 – 1991, she was the pupil at the Hanoiamsterdam High School.
Mẫu Thoải in a costume of the Lê dynasty (a painting by a modern artist). Mẫu Thoải (Chữ Hán: 母水, or Thủy Cung Thánh Mẫu (Chữ Hán: 水宮聖母) is a goddess in Vietnamese non-Buddhist traditional religion. [1]
Mai Phuong Thuy is the eldest sister in a family of two siblings. Her father Mai Xuan Quang died when she was six. Her mother Nguyen Phuong Lan used to be a tax officer. Before competing in the Miss Vietnam 2006 pageant, she was a model under New Talent Modelling Agency. She joined the agency via a friend's introduction.
Little Sister Thuy (Em Thúy), often referred as Little Thuy, is an oil painting created by painter Trần Văn Cẩn (Tran Van Can) in 1943. Depicting the artist's 8-year-old niece, the painting is considered one of Tran Van Can's finest works as well as one of the typical portraits of 20th-century Vietnam .