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"I Think I'm Paranoid" is a song written, performed and produced by rock band Garbage and was the second single released from their second album Version 2.0. The song was released internationally in July 1998, following up on the success of the band's prior hit, " Push It ".
The song is an E minor pentatonic and only uses power chords. The guitar solo is a dry signal on the left channel, which is patched through a ring modulator and routed to the right channel; this effect was used again on the 1978 song, "Johnny Blade". According to extant lyric sheets, "Paranoid" was at one time titled "The Paranoid." [7]
Brian Douglas Wilson (born June 20, 1942) is an American musician, singer, songwriter, and record producer who co-founded the Beach Boys.Often called a genius for his novel approaches to pop composition, extraordinary musical aptitude, and mastery of recording techniques, he is widely acknowledged as one of the most innovative and significant songwriters of the 20th century.
The guitar was built by the Gibson Custom Shop in Nashville after Iommi's specifications and finished in 1997. The guitar is one of two made as prototypes for the Gibson Custom Shop Limited Edition Iommi Special SG. The guitar features a neck with 24 frets and four control knobs, of which only two are active (much like his old Jaydee Custom ...
Paranoid was recorded at Regent Sound Studios and Island Studios in London, England. [7] The album's title track was written as an afterthought. As drummer Bill Ward explains: "We didn't have enough songs for the album, and Tony [Iommi] just played the guitar lick and that was it. It took twenty, twenty-five minutes from top to bottom."
Greenwood's major writing contributions to Radiohead include "Just" (which Yorke described as "a competition by me and Jonny to get as many chords as possible into a song"); "My Iron Lung", co-written with Yorke, [29] from The Bends (1995); "The Tourist" and the "rain down" bridge of "Paranoid Android" from OK Computer (1997); [17] the vocal ...
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F♯, the tone a major third above D). Baroque guitar standard tuning – a–D–g–b–e