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The popularity of the song is lampooned in a 1940s film short. [4] In the film, The King's Men (who also performed on Fibber McGee and Molly) play young men living in a boarding house who are endlessly singing the song while getting dressed, eating dinner, playing cards, etc., until an exasperated fellow boarder (William Irving) finally has them removed to an insane asylum.
Download as PDF; Printable version; In other projects Wikidata item; ... The Hut-Sut Song This page was last edited on 25 January 2018, at 16:38 (UTC). ...
The foursome made their first appearance in the 1939 musical Second Fiddle (1939) and went on to be featured in a number of 1940s Hollywood films, both feature-length and short-subject musicals, as well as three-minute Soundies musicals filmed for coin-operated film jukeboxes.
A popular nonsense tune of that era, "The Hut-Sut Song" first recorded by Horace Heidt – words and music by Leo V. Killion, Ted McMichael and Jack Owens, sung by Horton and the Elephant-Bird, with the words "and so on so on so forth" replacing some of the lyrics (Horton claims he can't get the words to that song).
He either wrote, co-wrote, composed, recorded, or some combination of these music credits, more than 50 songs spanning from the mid-1930s to the early 1960s. He also had his own TV show, The Jack Owens Show (aka The Brunch Bunch), during the pioneer days of TV of the early 1950s, and even received two Emmy nominations.
A novelty song is a type of song built upon some form of novel concept, such as a gimmick, a piece of humor, or a sample of popular culture. Novelty songs partially overlap with comedy songs, which are more explicitly based on humor, and with musical parody, especially when the novel gimmick is another popular song. Novelty songs achieved great ...
Horace Heidt (May 21, 1901 – December 1, 1986) [1] was an American pianist, big band leader, and radio and television personality. His band, Horace Heidt and his Musical Knights, toured vaudeville and performed on radio and television during the 1930s and 1940s.
Freddy Martin was born in Cleveland, Ohio, United States. [1] [2] Raised largely in an orphanage and by various relatives, Martin started out playing drums, then switched to C melody saxophone and subsequently tenor saxophone, the latter the one with which he would be identified. [1]