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Formalist film theory is an approach to film theory that is focused on the formal or technical elements of a film: i.e., the lighting, scoring, sound and set design, use of color, shot composition, and editing.
It projected slides that were usually painted in color on glass. A sketch by Huygens believed to have been made in 1659, indicates that moving images from mechanical slides may have been part of the earliest screenings. Around 1790, the magic lantern became an important instrument in the multi-media phantasmagoria spectacles. Rear projection ...
In traditional linear movies, the author can carefully construct the plot, roles, and characters to achieve a specific effect on the audience. Interactivity, however, introduces non-linearity into the movie, such that the author no longer has complete control over the story, but must now share control with the viewer. There is an inevitable ...
Two films may be from the same genre, but may well look different as a result of the film style. For example, Independence Day and Cloverfield are both sci-fi, action films about the possible end of the world. However, they are shot differently, with Cloverfield using a handheld camera for the entire movie. Films in the same genre do not ...
Symbolic effects taken over from conventional literary and artistic tradition continued to make some appearances in films during these years. In D. W. Griffith's The Avenging Conscience (1914), the title "The birth of the evil thought" precedes a series of three shots of the protagonist looking at a spider, and ants eating an insect. Symbolist ...
Also called a background actor. An actor or performer in a film who appears in a non-speaking or non-singing capacity, usually briefly and in the background, without any particular characterization or direct plot relevance, such that viewers are not intended to identify with or consciously focus on the character at all.
The terms "lantern slides" and "magic lantern" are used here as umbrella terms for describing objects related to the historical art of projection. Various terms can be found across history, disciplines, intended audiences or for descriptions of specific formats of slides and types of lanterns.
For example, prosthetic makeup can be used to make an actor look like a non-human creature. Optical effects (also called photographic effects) are techniques in which images or film frames are created photographically, either "in-camera" using multiple exposures , mattes , or the Schüfftan process or in post-production using an optical printer .