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The problem arises for screen projectors that don't have the depth of focus necessary to keep all lines (from top to bottom) focused at the same time. Common solutions to this problem are: moving the projector more to the center of the screen, tilting the screen in a small angle, the use of special software on the projector
A thinner and lighter LCD or DLP projection TV in a home cinema. A projection television uses a projector to create a small image or video from a video signal and magnify this image onto a viewable screen. The projector uses a bright beam of light and a lens system to project the image to a much larger size.
After building it, he saw many problems that had to be corrected including major light losses and very noticeable pixels (sometimes referred to as the "screen-door effect"). He then invented new optical methods to create efficient and bright projectors and invented depixelization to reduce the screen-door effect.
The optical system is responsible for directing the light from the light source onto the LCos panel and projecting the resulting image onto a screen or other surface. The optical system consists of a number of lenses, mirrors, and other optical components that are carefully designed and calibrated to provide the necessary magnification, focus ...
The screen-door effect on Digital Light Processing (DLP) projectors can be mitigated by deliberately setting the projected image slightly out of focus, which blurs the boundaries of each pixel to its neighbor. This minimizes the effect by filling the black pixel perimeters with adjacent light.
A grey screen may thus succeed almost as well in delivering a bright-looking image, or fail to do so in other circumstances. Compared to a white screen, a grey screen reflects less light to the room and less light from the room, making it increasingly effective in dealing with the light originating from the projector. Ambient light originating ...
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Rear projection (background projection, process photography, etc.) is one of many in-camera effects cinematic techniques in film production for combining foreground performances with pre-filmed backgrounds. It was widely used for many years in driving scenes, or to show other forms of "distant" background motion.