Ad
related to: melody music
Search results
Results From The WOW.Com Content Network
The true goal of music—its proper enterprise—is melody. All the parts of harmony have as their ultimate purpose only beautiful melody. Therefore, the question of which is the more significant, melody or harmony, is futile. Beyond doubt, the means is subordinate to the end. —
"Melody type" as used by the ethnomusicologist Mark Slobin (1982, 186) [3] is defined as a "group of melodies that are related, in that they all contain similar modal procedures and characteristic rhythmic and melodic contours or patterns". [4] Most cultures which compose music in this way organize the patterns into distinct melody types.
Meyer lists melody, rhythm, timbre, harmony, "and the like" [12] as principal elements of music, while Narmour lists melody, harmony, rhythm, dynamics, tessitura, timbre, tempo, meter, texture, "and perhaps others". [13] According to McClellan, two things should be considered, the quality or state of an element and its change over time. [14]
Melody is the soundtrack album for the film Melody (or S.W.A.L.K., the name it was initially marketed under in the U.K.).It was released in 1971 and is performed by the Bee Gees, Crosby, Stills, Nash & Young, and Barry Howard (aka Al Barry) of The Aces, Desmond Dekker's backing group.
Fabbri, Franco (1982) A Theory of Popular Music Genres: Two Applications. In Popular Music Perspectives, edited by David Horn and Philip Tagg, 52–81. Göteborg and Exeter: A. Wheaton & Co., Ltd. Frith, Simon (1996) Performing Rites: On the Value of Popular Music. Cambridge, Massachusetts: Harvard University Press.
Because melody is such a prominent aspect in so much music, its construction and other qualities are a primary interest of music theory. The basic elements of melody are pitch, duration, rhythm, and tempo. The tones of a melody are usually drawn from pitch systems such as scales or modes. Melody may consist, to increasing degree, of the figure ...
The major music companies can, however, appeal the Judge’s decision. Trotta said his firm would work to notify streaming services, radio, and television broadcasters of Judge Torres’ ruling.
A melody that remains confined to the mode's ambitus is called "perfect"; if it falls short of it, "imperfect"; if it exceeds it, "superfluous"; and a melody that combines the ambituses of both the plagal and authentic is said to be in a "mixed mode".