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During World War II propaganda was replaced by the term "psychological warfare" or "psy-war." Psychological warfare was developed as a non-violent weapon that was used to influence the enemy soldiers and the civilians psychological states. Psychological Warfare's purpose is to demoralize the soldiers, or to get the soldier to surrender to a ...
The story of British cinema in the Second World War is inextricably linked with that of the Ministry of Information. [1] Formed on 4 September 1939, the day after Britain's declaration of war, the Ministry of Information (MOI) was the central government department responsible for publicity and propaganda in the Second World War.
In 1940, even prior to being drawn into World War II, President Roosevelt urged every American to consider the effect if the dictatorships won in Europe and Asia. [98] Precision bombing was praised, exaggerating its accuracy, to convince people of the difference between good and bad bombing. [99]
Signal was a propaganda magazine published by the Wehrmacht during World War II [93] and distributed throughout occupied Europe and neutral countries. Published from April 1940 to March 1945, Signal had the highest sales of any magazine published in Europe during the period—circulation peaked at 2.5 million in 1943.
D-day assault map of Normandy and northwest coastal France. In British phraseology, Fortress Europe meant the battle honour accorded to Royal Air Force and Allied squadrons during the war, but to qualify, operations had to be made by aircraft based in Britain against targets in Germany, Italy and other parts of German-occupied Europe, in the period from the fall of France to the Normandy invasion.
The film industry during World War II was an important source of communication to the people on all sides. At this time the cinema was the most popular form of entertainment to the people. It was used to entertain, lift spirits, motivate and inform the audience. This made film an important means of distributing propaganda. Governments used film ...
In the run-up to World War II, Mussolini's claim that he could field 8 million was quickly exaggerated to 9 million and then to 12 million. [42] The continually-bellicose pose created an embarrassment with the outbreak of World War II since failure to join the war would undermine the propaganda effect. [43]
Film on the home-front during World War II, depicted the war uniting all levels of society, as in the two most popular films of the Nazi era, Die grosse Liebe and Wunschkonzert. [91] Failure to support the war was an anti-social act; this propaganda managed to bring arms production to a peak in 1944. [49]