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In the Music Library Association publication, Notes, Frank Tirro wrote: "Gunther Schuller's work is the best musical account of jazz through the early 1930s yet published." [5] In a review in Journal of the American Musicological Society, William W. Austin wrote: "Schuller knows his subject as probably no one else does." [6]
He was known as "the father of white jazz" because of the many top players he employed, such as George Brunies, Sharkey Bonano, and future members of the Original Dixieland Jass Band. During the early 1900s, jazz was mostly performed in African-American and mulatto communities due to segregation laws.
Jazz rap is a fusion subgenre of hip hop music and jazz, developed in the late 1980s and early 1990s. The lyrics are often based on political consciousness, Afrocentrism, and general positivism. 1980s -> Jazz rock: The term "jazz-rock" (or "jazz/rock") is often used as a synonym for the term "jazz fusion". 1960s -> Jump blues: 1930s -> Kansas ...
During this period in the early 20th century, American jazz was introduced on South African radios, and it became the most popular style of music in the urban areas of South Africa. The biggest consumer of jazz music was the newly black urban class in these shebeens based on the slums of South Africa.
Jazz pianist Fats Waller wrote many of the early jazz standards, including "Squeeze Me" (1925), "Ain't Misbehavin'" (1929) and "Honeysuckle Rose" (1929). 1924 – "Everybody Loves My Baby" is a song composed by Spencer Williams with lyrics by Jack Palmer. [42] It was introduced by Clarence Williams and His Blue Five, with Louis Armstrong on ...
The Oxford Companion to Jazz. Oxford University Press US. ISBN 0-19-518359-2. Knapp, Raymond (2005). The American Musical and the Formation of National Identity. Princeton University Press. ISBN 0-691-11864-7. Koenig, Karl (2002). Jazz in Print (1856-1929): An Anthology of Selected Early Readings in Jazz History. Pendragon Press. ISBN 1-57647 ...
1923 – "Tin Roof Blues" is a jazz composition by George Brunies, Paul Mares, Ben Pollack, Leon Roppolo and Mel Stitzel of the New Orleans Rhythm Kings. [13] The band first recorded the tune in 1923, and it became a major influence for later white jazz groups. [14] It is one of the early New Orleans jazz pieces most often played. [15]
Joe "King" Oliver, Freddie Keppard, Bunk Johnson, and other early New Orleans jazz musicians were directly inspired by his playing. [9] One of the best known Bolden numbers is "Funky Butt" (later known as "Buddy Bolden's Blues"), which represents one of the earliest references to the concept of funk in popular music.