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The Feminine Mystique, Betty Friedan (1963) "A Study of the Feminine Mystique", Evelyn Reed (1964) [222] Student Nonviolent Coordinating Committee Position Paper: Women in the Movement (1964) [223] "Jane Crow and the Law: Sex Discrimination and Title VII", Mary Eastwood and Pauli Murray (1965)
Books and magazines are in italics, all other types of literature are not and are in quotation marks. References lead when possible to a link to the full text of the literature. This is a dynamic list and may never be able to satisfy particular standards for completeness.
The Feminine Mystique is a book by American author Betty Friedan, widely credited with sparking second-wave feminism in the United States. [2] First published by W. W. Norton on February 19, 1963, The Feminine Mystique became a bestseller, initially selling over a million copies.
The cover of the 2005 edition, described as a "new edition for a new era". The first book was a product of the feminist movement and could still be said to reflect its values. The personal experiences of women are taken into account and are quoted throughout, while the social and political context of women's health informs the content of the book.
Ain't I a Woman? Black Women and Feminism is a 1981 book by bell hooks titled after Sojourner Truth's "Ain't I a Woman?" speech. hooks examines the effect of racism and sexism on Black women, the civil rights movement, and feminist movements from suffrage to the 1970s.
Gender Trouble: Feminism and the Subversion of Identity [1] [2] is a book by the post-structuralist gender theorist and philosopher Judith Butler in which the author argues that gender is performative, meaning that it is maintained, created or perpetuated by iterative repetitions when speaking and interacting with each other.
Butler is best known for their books Gender Trouble: Feminism and the Subversion of Identity (1990) and Bodies That Matter: On the Discursive Limits of Sex (1993), in which they challenge conventional, heteronormative notions of gender and develop their theory of gender performativity.
The academic discipline of women's writing is a discrete area of literary studies which is based on the notion that the experience of women, historically, has been shaped by their sex, and so women writers by definition are a group worthy of separate study: "Their texts emerge from and intervene in conditions usually very different from those which produced most writing by men."