Search results
Results From The WOW.Com Content Network
The topic of the panel painting is the Finding in the Temple episode from Jesus' childhood, found in the Gospel of Luke (2:41–52). On an annual pilgrimage of the holy family to Jerusalem for Passover the twelve-year-old child got lost and found again after three days in a temple debating with scholars executing His Father's business.
The episode of the twelve-year-old Jesus in the temple is taken from the Gospel of Luke (Lk 2.42-50), and is often depicted in Christian art, for example in cycles on the life of Mary. Liebermann had the idea for this painting when he visited the Jewish quarter of Amsterdam in 1876.
William Holman Hunt, The Finding of the Saviour in the Temple. This event is frequently shown in art, and was a common component in cycles of the Life of the Virgin as well as the Life of Christ. In early Christian depictions, Jesus is usually shown in the center, seated on a raised dais surrounded by the elders, who are often on stepped benches.
The Finding of the Saviour in the Temple (1854–1860) is a painting by the English artist William Holman Hunt intended as an ethnographically accurate version of the subject traditionally known as "Christ Among the Doctors", an illustration of the child Jesus debating the interpretation of the scripture with learned rabbis.
Manichaean Painting of the Buddha Jesus; Manichaean temple banner MIK III 6286; The Marriage Feast at Cana (Bosch) The Merciful Knight; The Miraculous Draft of Fishes (Witz) Modena Triptych; Mogao Christian painting; Murals from the Christian temple at Qocho
The latest image is a stark contrast to how He is portrayed in paintings and pictures who appears leaner with long flowy hair. Earlier this year a picture re-emerged that showed what Jesus might ...
Pages in category "Paintings of the Presentation of Christ at the Temple" The following 19 pages are in this category, out of 19 total. This list may not reflect recent changes .
Presentation of Christ in the Temple is an oil-on-wood painting by the Italian Renaissance painter Fra Bartolomeo, most likely commissioned by Pope Leo X for the Epiphany of 1516. It originally hung in the novices' chapel in San Marco, Florence. [1] It is inscribed with the year 1516.