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A souvenir (French for 'a remembrance or memory'), [1] memento, keepsake, or token of remembrance [1] is an object a person acquires for the memories the owner associates with it. A souvenir can be any object that can be collected or purchased and transported home by the traveler as a memento of a visit.
He inferred that persons desiring to train this faculty (of memory) must select places and form mental images of the things they wish to remember and store those images in the places, so that the order of the places will preserve the order of the things, and the images of the things will denote the things themselves, and we shall employ the ...
The modern use of the phrase is generally attributed to Fred R. Barnard. Barnard wrote this phrase in the advertising trade journal Printers' Ink, promoting the use of images in advertisements that appeared on the sides of streetcars. [6] The December 8, 1921, issue carries an ad entitled, "One Look is Worth A Thousand Words."
In Greek mythology and ancient Greek religion, Mnemosyne (/ n ɪ ˈ m ɒ z ɪ n iː, n ɪ ˈ m ɒ s ɪ n iː /; Ancient Greek: Μνημοσύνη, pronounced [mnɛːmosýːnɛː]) is the goddess of memory and the mother of the nine Muses by her nephew Zeus.
In addition, these meanings are alluded to in older pictures, songs and writings. New symbols have also arisen: one of the most known in the United Kingdom is the red poppy as a symbol of remembrance of the fallen in war.
The method of loci is a strategy for memory enhancement, which uses visualizations of familiar spatial environments in order to enhance the recall of information. The method of loci is also known as the memory journey, memory palace, journey method, memory spaces, or mind palace technique.
Recognition memory, a subcategory of explicit memory, is the ability to recognize previously encountered events, objects, or people. [1] When the previously experienced event is reexperienced, this environmental content is matched to stored memory representations, eliciting matching signals. [2]
Ancient Greek philosophers conceived imagination, or "phantasia," as working with "pictures" in the sense of mental images. [17] Aristotle , in his work De Anima , identified imagination as a faculty that enables an image to occur within us, [ 18 ] [ 19 ] a definition associating imagination with a broad range of activities involved in thoughts ...