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Manohla June Dargis (/ m ə ˈ n oʊ l ə ˈ d ɑːr ɡ ɪ s / mə-NOH-lə DAR-ghiss) [1] is an American film critic. She is the chief film critic for The New York Times. [2] She is a five-time finalist for the Pulitzer Prize for Criticism.
The Help is a 2011 period drama film written and directed by Tate Taylor and based on Kathryn Stockett's 2009 novel of the same name.The film features an ensemble cast, including Emma Stone, Viola Davis, Bryce Dallas Howard, Octavia Spencer, Jessica Chastain, Allison Janney, Cicely Tyson, and Sissy Spacek.
Anthony Oliver Scott (born July 10, 1966) is an American journalist and cultural critic, known for his film and literary criticism. After starting his career at The New York Review of Books, Variety, and Slate, he began writing film reviews for The New York Times in 2000, and became the paper's chief film critic in 2004, a title he shared with Manohla Dargis.
An early review in The New York Times notes Stockett's "affection and intimacy buried beneath even the most seemingly impersonal household connections", and says the book is a "button-pushing, soon to be wildly popular novel". [2] The Atlanta Journal-Constitution said of the book: "This heartbreaking story is a stunning début from a gifted ...
The annual New York Greek Film Expo has been set for Village East Cinema in Manhattan and the Barrymore Film Center in Fort Lee, N.J. on October 5-15. The event will screen the latest Greek films ...
123movies has changed its domain and its name many times to avoid anti-piracy laws. It currently operates under the names GOStream, MeMovies and GoMovies, as well as many domains beginning with ...
Wesley Morris (born 1975) [2] is an American film critic and podcast host. He is currently critic-at-large for The New York Times, [3] as well as co-host, with J Wortham, of the New York Times podcast Still Processing. Previously, Morris wrote for The Boston Globe, then Grantland. [4]
Roger Greenspun (December 16, 1929 – June 18, 2017) was an American journalist and film critic, best known for his work with The New York Times in which he reviewed near 400 films, particularly in the late 1960s and early 1970s, and for Penthouse for which he was the film critic throughout much of the late 1970s and 1980s.