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Inferno (Italian: [iɱˈfɛrno]; Italian for 'Hell') is the first part of Italian writer Dante Alighieri's 14th-century narrative poem The Divine Comedy, followed by Purgatorio and Paradiso. The Inferno describes the journey of a fictionalised version of Dante himself through Hell, guided by the ancient Roman poet Virgil.
Satan is trapped in the frozen central zone in the Ninth Circle of Hell, Inferno, Canto 34. Illustration by Gustave Doré. In Dante's Inferno, Satan is portrayed as a giant demon, frozen up to the waist in ice at the center of Hell. Satan has three faces and a pair of bat-like wings affixed under each chin.
Lucifer's second drawing by Botticelli from Inferno XXXIV. Lucifer's picture spans two pages, and lies outside the text-illustration structure, unifying the narrative of the series. It also illustrates the full story of Inferno canto XXXIV and shows Lucifer's geographical position in Hell. [13]
Dante's Inferno is a series of six comic books based on the same video game. Published by WildStorm from December 2009 through May 2010, the series was written by Christos Gage with art by Diego Latorre. [116] Dante's Inferno: An Animated Epic is a direct-to-DVD animated film released on February 9, 2010. The film is also a spin-off from Dante ...
L'Inferno. L'Inferno (transl. The Hell) is a 1911 Italian silent film, loosely adapted from Inferno, the first canticle of Dante Alighieri's Divine Comedy. L'Inferno took over three years to make, and was the first full-length Italian feature film. [2] It is also one of the first films to be shown in its entirety. [3]
Dante gazes at Mount Purgatory in an allegorical portrait by Agnolo Bronzino, painted c. 1530. The Divine Comedy is composed of 14,233 lines that are divided into three cantiche (singular cantica) – Inferno (), Purgatorio (), and Paradiso () – each consisting of 33 cantos (Italian plural canti).
A complete listing and criticism of all English translations of at least one of the three cantiche (parts) was made by Cunningham in 1966. [12] The table below summarises Cunningham's data with additions between 1966 and the present, many of which are taken from the Dante Society of America's yearly North American bibliography [13] and Società Dantesca Italiana [] 's international ...
Inferno depicts a vision of hell divided into nine concentric circles, each home to souls guilty of a particular class of sin. [2] Led by his guide, the Roman poet Virgil, Dante enters the second circle of hell in Inferno 's Canto V. Before entering the circle proper they encounter Minos, the mythological king of the Minoan civilization.