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The front and sides of the porch have arched openings, and there is a bullseye window in the gable end. The main roof is pierced by gabled dormers rising from the side walls. The interior of the church is finished in tongue-and-groove wainscoting, plaster walls, and plaster ceiling with exposed beams.
Tongue and groove joints allow two flat pieces to be joined strongly together to make a single flat surface. Before plywood became common, tongue and groove boards were also used for sheathing buildings and to construct concrete formwork. A strong joint, the tongue and groove joint is widely used for re-entrant angles
The interior contains a small narthex with tongue-and-groove boarding, a rectangular nave with tray ceiling, and a polygonal apse. The ornate altarpiece is against the back wall of the apse. Varnished wood doors open off either side of the sanctuary. One leads to the confessional, and the other to a closet room for the priest. [2]
The walls of the interior of the nave are lined vertically with silky oak v-jointed tongue and groove boards and the boards to the ceiling are laid along its length. From the wall the ceiling follows the line of the rafters, then the pitch is reduced up to a central section of flat ceiling. A pair of iron tie rods provide structural stability. [2]
The planks may be laid flat and tongue and grooved or splined together or laid on edge called a laminated floor. [24] The name slow burning construction was coined in 1870 [ 25 ] by Factory Mutual insurance company [ 26 ] because large, smooth timbers with chamfered edges ignite slower and last longer in a fire allowing fire suppression crews ...
Inside, the walls are finished with two-inch tongue-and-groove paneling. The flooring is 1-by-4 tongue-and-groove planking. Originally, there were built-in shelves along the full length of one wall. The original light fixtures had glass shades and were suspended from the ceiling by drop-cords. The door knobs, locks, and other hardware were brass.
Internally, walls are of painted tongue and groove boards with stained timber doors and architraves. Ceilings are of fibrous cement and floors are covered in carpet and linoleum. Large sliding stained timber doors separate the lounge and dining rooms. The dining room has a fireplace with a timber surround and an arched sash window on either ...
Other features included heart-pine floors, tongue-and-groove bead board ceilings, accordion-fold doors, transoms, and decorative mantels and moldings. Since 1980, the building has housed the Altama Museum of Art and History (501c3).