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The director said that blondes were "a symbol of the heroine." He also thought they photographed better in black and white, the predominant film for most dramas for many years. [11] Although there is a commonly held view that Hitchcock treated women poorly, there is little evidence of this beyond the examples given by Tippi Hedren in The Birds ...
Despite the initial appearance and marketing of an action film, Blade Runner operates on an unusually rich number of dramatic levels. As with much of the cyberpunk genre, it owes a large debt to film noir, containing and exploring such conventions as the femme fatale, a Chandleresque first-person narration in the Theatrical Version, the questionable moral outlook of the hero—extended here to ...
The Bourne Identity is a 2002 action-thriller film directed by Doug Liman and written by Tony Gilroy and William Blake Herron.Based on Robert Ludlum's 1980 novel of the same name, it is the first installment in the Bourne franchise, and the film stars Matt Damon, Franka Potente, Chris Cooper, Clive Owen, Brian Cox, and Adewale Akinnuoye-Agbaje.
House of Flying Daggers (2004) Zhang Yimou’s magnum opus, Daggers is maybe more love story than a martial arts film—and so the most action-packed love story of all time—but “love story ...
The James Bond series of films contain a number of repeating, distinctive motifs which date from the series' inception with Dr. No in 1962. The series consists of twenty five films produced by Eon Productions featuring the James Bond character, a fictional British Secret Service agent.
Nick Schager, writing for The Daily Beast, declared the film "a marvel of slapstick invention that in terms of pure unbridled creativity puts most big-screen comedies to shame" and "an overstuffed live-action homage to the golden age of animation that's bursting with ingenuity and personality." [30] It received an 8 out of 10 review from ...
James Cameron, writer and director of Avatar, at the 2016 San Diego Comic-Con. The 2009 American science fiction film Avatar has provoked vigorous discussion of a wide variety of cultural, social, political, and religious themes identified by critics and commentators, and the film's writer and director James Cameron has responded that he hoped to create an emotional reaction and to provoke ...
The characters go unnamed, lending them a universality conducive to symbolism. [16] Veit Harlan compared his German remake Die Reise nach Tilsit (1939); pointing to the symbolism and soft focus of the original, he claimed that Sunrise was a poem, whereas his realistic Die Reise nach Tilsit was a film. [17]