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Desperado: The Soundtrack is the film score to Robert Rodriguez’s Desperado.It was written and performed by the Los Angeles rock bands Los Lobos and Tito & Tarantula, performing traditional Ranchera and Chicano rock music.
The source for these charts is the book Musicosas: manual del comentarista de radio y televisión by Roberto Ayala, who was the director of the Selecciones Musicales magazine. These charts were based on nationwide record sales, jukebox plays, radio and television airplay, and sheet music sales. [a] [1]
Tienes el alma de provinciana, Hueles a limpia rosa temprana A verde jara fresca del rio, Son mil palomas tu caserio, Guadalajara, Guadalajara, Hueles a pura tierra mojada. Ay ay ay ay! Colomitos lejanos. Ay! Ojitos de agua hermanos. Ay! Colomitos inolvidables, Inolvidables como las tardes En que la lluvia desde la loma No nos dejaba ir a Zapopan..
Son jalisciense is a variety of Mexican son music from which modern mariachi music is derived. This son also relied on the same basic instruments, rhythms and melodies as the sones of Veracruz and other locations, using the same string instruments.
Las Canciones de mi Padre also is the only recording production in the world that used the three best Mariachi bands in the world: Mariachi Vargas, Mariachi Los Camperos and Mariachi Los Galleros de Pedro Rey. As of 2012, Canciones de Mi Padre had sold nearly 10 million copies worldwide.
"No Me Queda Más" is a downtempo mariachi and pop ballad, incorporating ranchera and flamenco influences into its sound. [9] [10] [11] Musicologists Ilan Stavans and Harold Augenbraum called the song a bolero-mariachi mix. [12]
Mariachi music in 1970s, while still popular in the Regional Mexican music field, was named "the last great decade for mariachi music" according to the Los Angeles Times critic Augustin Gurza. [4] The Mexican farmworkers movement since the 1960s led to the popularity corridos which dealt with their impoverished lives. [5]
The song is a typical ranchera, with mariachi choruses and lyrics dealing with life in a traditional Mexican ranch.The American arrangement of the song was copyrighted as a "rumba", [10] a term largely used in the US to denote Americanized Afro-Cuban and Latin ballroom music According to the book The Course of Mexican Music,