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The Atlas Slave is a 2.77m high marble statue by Michelangelo, dated to 1525–1530. It is one of the 'Prisoners', the series of unfinished sculptures for the tomb of Pope Julius II. It is now held in the Galleria dell'Accademia in Florence.
Importuno di Michelangelo: c. 1504 Palazzo Vecchio, Florence Pietraforte Rothschild Bronzes [6] 1506–1508 Fitzwilliam Museum: Bronze Male torso I (in Italian) c. 1513: Casa Buonarroti, Florence Terracotta height 23 cm Male torso II (in Italian) c. 1513: Casa Buonarroti, Florence Terracotta height 22,5 cm Naked woman scale model (in Italian)
The Awakening Slave is a 2.67m high marble statue by Michelangelo, dated to 1525–1530. It is one of the 'Prisoners', the series of unfinished sculptures for the tomb of Pope Julius II. It is now held in the Galleria dell'Accademia in Florence.
The unfinished portion of the marble below the bird might have been intended to become a crown of thorns. [2] Michelangelo's execution with only a point and claw chisel, often driven hard and with great energy, is a combination of techniques that helps create a sense of "surface unity" unbroken by the use of the drill. [2]
Saint Matthew is a marble sculpture of Matthew the Apostle by Michelangelo. It was intended for a series of twelve apostles for the choir niches of Florence Cathedral, but was left unfinished in 1506 when Michelangelo moved to Rome to work for Pope Julius II. It is currently part of the collection of the Galleria dell'Accademia in Florence.
The unfinished quality of the work fits with Michelangelo's late progress away from naturalism and humanism and toward a mystical Neoplatonism, in which he conceived of a sculpture as latent in the marble and requiring merely the removal of superfluous material; in this manner, he seems to have deprived his human symbols of corporeal quality in ...